I hope the answer to your question is in this FAQ. Due to the number of questions I receive on a daily basis I cannot personally answer all of them. Thanks for understanding! Please note that if you’re a client, you are always free to contact me.
I’m an illustrator, author, cartoonist and designer.
What I do and make:
I did! I have a Bdes-degree in Visual Communication, which is a combination of graphic design, photography and video. After graduating I did several courses and masterclasses in (picture book) illustration including at Anglia Ruskin University in Cambridge. You can find a list on my about-page!
In 2010 I started illustrating for clients. Before that I worked as a graphic designer, art director and photographer for ad agencies, both in-house as freelance. I’ve been working as a design professional for over 17 years. But of course I started drawing a lot earlier 🙂 I was 3 years old when I created art pieces for the fridge, and I was in primary school when I declared I wanted to go to art school. I started creating paintings, drawings and websites for clients at age 14, so I’ve been in this for quite a long time (22+ years). If you’re interested in reading more, you can find pretty much my whole career here!
My first name ‘Marloes’ is pronounced as: Mahr-Loose.
At the moment I only work through publishers on books. If you have a publisher, please suggest my work to them and ask them if they see my work as a good fit.
At the moment I don’t as I’m focusing on working with publishers, magazines and my personal projects.
When it’s a charity, every staff member works for free (artists shouldn’t be the only one volunteering) and it’s a cause I support: I would love consider to work for free. Do get in touch and let’s see what we can do. In other cases: paying someone for their time shows you understand their time is valuable and you respect it. If you feel my work and time should be unpaid I’m afraid we’re not a good match.
I’m a chatty person, so please feel free to send me an email explaining the type of platform and the (kind of) questions you’d like to ask. If it’s a good fit we can set a date. Sometimes I have to decline due to my work schedule though.
I do! You can find them in my shop.
Most of my books are available to order in any book shop in the Netherlands and Belgium. Self published zines, signed books and limited edition prints are available in my shop.
I offer licenses for this. Please get in touch with me and let me know what you are going to use it for, what the purpose is and what your budget is. If you use my work without my permission, the fee will be much higher because you used my work illegally. It is not allowed to use any of my illustrations without my consent.
For personal use, you can share my work. Please credit me properly, and it’s not allowed to edit my work, or cut off my signature. If you want to share it on Instagram, you can find a re-posting guide in my highlights.
If you want to share on Facebook, please only share from my own Facebook-page directly, or if you must upload again: please link to my Facebook-page. It’s @MarloesDeVries.
If you’re a business wanting to promote your services with my work: that’s not allowed. Please follow the guidelines my Instagram highlights to see how it works, or contact me for a license or hire.
I get this request a lot so unfortunately I’ve drawn the line at not responding to any of these requests. I regularly promote work of other artists but that’s because I honestly love their work, not because I’ve been asked to.
It depends. I’m open to business collaborations that fit me and my work, and are in line with my beliefs. I don’t work or advertise for free as I feel my hours and expertise are worth paying for. If you feel your product matches me, feel free to get in touch and let me know what you have in mind, your deadline and your budget. Please note that I get several emails of PR agencies and companies on a daily basis and I only respond to those who use my name in the email or indicate they have seen my work. If they’re not bothered to type my name, the email will most likely go straight to the bin.
In most cases: no, but thanks for the offer. I prefer buying the products I genuinely love without the pressure of advertising for it or spending time on creating an ad. I can’t spend several hours marketing a product that’s relatively cheap. I’d rather be writing or drawing 🙂 If your product is of higher value and it’s something I’d genuinely use, I might consider it, so do get in touch in that case.
To be honest, I can’t keep up with all the social media inboxes and hundreds of DM’s. I appreciate lovely messages and try to read them all but replying to all is not possible. To maintain focus and streamline my workflow I use email for all work inquiries, so I really appreciate it if you can send your work inquiry by email. If you just want to say ‘hi’ please feel free to comment to a recent Instagram-post. I genuinely appreciate it!
Every month I send out a newsletter (subscribe here). Maybe not exactly the type you might expect though! I carefully curate all my favourite things (books, films, articles, etc.), share my personal thoughs on the creative practice and share what I’m working on. Newsletter subscribers also get first dibs on new (online) workshops and when I have new art for sale. It even has been featured in Flow Magazine!
You can’t 🙂 My newsletters can be read as they pop into your inbox.
I have written several articles about this on my blog. Feel free to grab a cup of tea and dive into it!
If you’re looking for help for free, I have a blog filled with tips to help others out with freelancing and illustration.
Due to time restraints I can’t answer questions for business advice I receive through email or DM’s.
Occasionally I have 1-on-1 sessions available and you can find them here. If there currently aren’t free spots available, please sign up for my newsletter to hear first about sessions available.
I get a lot of ‘quick questions’ throughout the day and have found out that it takes up many hours each day to answer them, leaving me with little time to spend on my work, or with loved ones. Nothing personal, I’m just one person 🙂
If it’s for practice and you keep it private in your sketchbook for your eyes only, then yes. But if you want to publish it in any way, including on social media, post it on your website or to sell: then no. That is copyright infringement.
No, because I feel that I should invest proper time into someone to show how the business works and I seriously lack time for that, I am not offering internships unfortunately.
I work with analogue and digital tools. I love working in Procreate (iPad) and on a Cintiq, but nothing beats good pencils (Luminance by Caran d’Ache and Polychromos by Faber-Castell) and paints (gouache from Winsor & Newton and Holbein). My favourite graphite pencil is Blackwing, and I use mechanical pencils for sketching, and my go-to sketchbooks are by Moleskine and Talens Artcreation. For my paintings I love Golden acrylics. When inking my comics with traditional tools I love using a dip pen and carbon ink on Brighton Seawhite paper.
I currently use a Wacom Cintiq (older model) and Photoshop CC on my iMac. Next to that, I use an iPad Pro 12.9 inch. On the iPad I use the app Procreate for drawing, in combination with an Apple pencil. I get asked often what I prefer and I have to say: I couldn’t work solely on the iPad as I work for clients. Procreate doesn’t use the right CMYK colours which means they’re off when I send them to clients. That’s why I still use Photoshop to check every Procreate-piece I make on my iPad. Also, the resolution is a bit off in Procreate.
In general I prefer drawing on the iPad as it feels more intuitive to me than the Cintiq. The pressure on the pencil is more natural.
So, it depends on what you want to use it for. If you are a professional designer/illustrator, you can buy the iPad but always check your files on your computer in Photoshop before sending it to a client. If you’re not a professional and have money to spare, I’d recommend the iPad + Procreate as it’s more intuitive than the Cintiq.
Next to that I also use Indesign, Illustrator and I use an Epson V500-scanner for scanning my analogue work to digital.
I always recommend buying at your local shop to support their business. Also because you can often try out colours and materials in the shop, or ask for professional advice. If you want to find a shop near you try Google: search for ‘art supply shop’ in your language and add your city, or a nearby bigger city.
It’s a bit of a mixed bag, here goes: Helen Frankenthaler, Quentin Blake, Mary Fedden, Nora Efron, Frida Kahlo, Oprah Winfrey, Mary Blair, Fiep Westendorp, Sempé, Carson Ellis, Miranda Hart, Annie M.G. Schmidt, Chris Haughton, Maira Kalman, Maaike Hartjes, Rebecca Green, Posy Simmonds, Philip Glass, Fairfield Porter, David Hockney, Gemma Correll, Oliver Jeffers, Sarah Millican, Maurice Sendak, amongst others.